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Since forming in the summer of 2004, Crystal Castles, the Toronto-based duo of Ethan Kath and Alice Glass have amassed a cult following through their uncompromising and intense delivery, a slew of limited edition singles and shows packed solely from word of mouth. BBC calls Crystal Castles "One of the hottest band around at the moment", NME says they "the best thing to come out of Canada since Arcade Fire".
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Electronic music is constantly ready to evolve, a point Crystal Castles seem determined to prove on their self-titled debut. They come from a heavily retro/electro place in the spectrum, wallowing in bits of debris from the ‘80s: video game bleeps and pixilated sounds found deep in the Casio archive. But it’s all twisted up, prodded past redundancy or homage to a state that feels genuinely innovative. How do they manage this? Part of the answer is in Alice Glass’s vocals, which are endlessly malleable; she can punk-scream her way through blizzards of squeaky noise ("Alice Practice," "Love and Caring") or get cute ("Good Time") without breaking character. But the real secrets to their reinvention, ironically enough, are in old-school details like melody, hooks and unpredictable, fun songwriting. All the boops, bleeps and whirs in the world can’t distract from the catchiness of songs like "Black Panther" and "Air War." Still, it must be said that listening to the record is vaguely unnerving at times; you feel a bit like Pac-Man stuck in his blocky maze. And yeah, some songs stretch invention into irritation (the unlistenable "Xxzxcuzx Me"). On the other hand, it never fails to be interesting and repeated listens smooth out the edges just enough to appreciate the band’s careful shading and confidence. So open your mind, enjoy the rampant creativity, and don’t eat the ghosts until they turn blue. –Matthew Cooke
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